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MAAC Review: LEGACY OF LIES

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The recently released Legacy of Lies marks a slight change of pace for leading man Scott Adkins. Sure there are the expected martial arts...

MAAC Review: Ip Man – The Awakening

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Another month and another Ip Man film is upon us. Directors Li Xi Jie and Zhang Zhu Lin’s Ip Man: The Awakening (2021) finds...

MAAC Review: HYDRA

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After plying his trade as a stuntman and action choreographer for over a decade, Kensuke Sonomura finally makes his directorial debut with low budget...

MAAC Review: Wonder Woman 1984

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The seemingly endless Covid-19 pandemic has resulted in countless film releases either being rescheduled or going direct to streaming. One of the most hotly...

MAAC Review: SKYLIN3S

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I must say that when I originally viewed the sci-fi movie Skyline (2010), I never imagined that it would have been the start of...

MAAC Review: SPIDER-MAN: NO WAY HOME

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Out of all the blockbusters to be released this year, Spider-Man: No Way Home has personally been my most anticipated. With the release of...

MAAC Review: I AM VENGEANCE – RETALIATION

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I first became aware of director Ross Boyask when UK publication Impact ran a series of articles on homegrown indie action movies. The articles...

MAAC Review: American Born Chinese

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For years it has been a popular trope to partner the coming of age story with the fantasy genre. Some of the most successful...

MAAC Review: Bodies At Rest

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Discounting the derided Cutthroat Island (1995), Renny Harlin directed some of the better Hollywood blockbusters of the 90’s. The likes of Cliffhanger (1993), The...

MAAC Review: The Last Victim

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The upcoming The Last Victim is being sold as a Neo Western, although it basically boils down to a straightforward survival thriller, with the...

MAAC Review: KICKBOXER – VENGEANCE

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The original 1989 'Kickboxer' was one of my favorite Jean-Claude Van Damme classic growing up, so I have been waiting for this remake to...

MAAC Review: SIBERIA

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Diamond merchant Lucas Hill (Keanu Reeves) travel to St. Petersburg to close a deal. He finds himself in a tight spot when he discovers...

MAAC Review: HELLBOY

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It has been over ten years since the release of the last Hellboy film. Although not as financially successful as its more famous comic...

MAAC Review: GOLDEN JOB

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20 years after the innumerable YOUNG AND DANGEROUS movies and spin-offs, the cast reunites for GOLDEN JOB and goes for some inconsequential and nonsensical...

MAAC Review: BOSS LEVEL

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It seems like forever since I remember Joe Carnahan speaking of his latest feature Boss Level. In a way it has been, as Carnahan...

MAAC Review: The Wandering Earth II

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It’s no surprise that The Wandering Earth (2019) has been followed by a sequel. While it was certainly a large-scale spectacle, it wasn’t exactly...

MAAC Review: Guardians Of The Galaxy Vol.3

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One of the more hotly anticipated MCU titles, Guardians of the Galaxy Vol.3 marks the final chapter for the franchise, at least with this...

MAAC Review: Section Eight

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I first became aware of director Christian Sesma with the genre hybrid The Night Crew (2015). Whilst clearly inspired by Robert Rodriguez’s From Dusk...

MAAC Review: DETECTIVE DEE – THE FOUR HEAVENLY KINGS

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TSUI HARK is without a doubt one of Hong Kong cinemas greatest directors and has renewed himself multiple times through the years. His movies...

MAAC Review: Star Wars – THE RISE OF SKYWALKER

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So it has come to this. Star Wars: The Rise Of Skywalker not only marks the end of the trilogy started four years ago...

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